HAMMER MUSEUM
EXHIBITS "AFGHAN CARPET PROJECT" RUGS
Rugs by
contemporary artists for the Afghan Carpet Project
exhibition on display at the Hammer Museum in Los
Angeles.
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LOS
ANGELES - The just-opened "Afghan Carpet Project" exhibition, which runs
now through September 27, 2015 at the Hammer Museum in L.A., features
six contemporary 6x8 rugs designed by Los Angeles-based contemporary
artists and handmade by weavers in Afghanistan. High-end rug
studio Christopher Farr Rugs has underwritten the production, which is
part of an ongoing effort to increase awareness of Afghanistan rug
makers and weavers.
Early Years
by Liz Craft, a rug crafted as part of the Afghan Carpet
Project, is on display at the Hammer Museum.
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The
striking art rugs on exhibit carry contemporary designs by artists Lisa
Anne Auerbach, Liz Craft, Meg Cranston, Francesca Gabbiani, Jennifer
Guidi, and Toba Khedoori - all selected by Hammer museum director Ann
Philbin and curator Ali Subotnick. The rugs were produced in editions of
five. One of each design will be donated to the Hammer's permanent
collection and one to each artist. The remaining rugs will be sold at
Farr's Los Angeles rug gallery following the close of the show. The rugs
are priced at $9,500 each.
Unswept Rug by Lisa Anne Auerbach for the Afghan
Carpet Project now at the Hammer Museum.
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According
to a spokeswoman for Christopher Farr, a portion of the proceeds of the
rug sales is earmarked for Arzu Studio Hope, an organization which
established weaving studios in Afghanistan and provides fair wages,
education and healthcare to its female weavers. The Hammer Museum
exhibition was initiated by AfghanMade, an agency formed to revitalize
the war-ravaged nation's traditional industries, and also serves as a
vehicle for placing Afghan weavers on international stage in an effort
to boost trade and bring employment to the nation's mostly female
weavers.
Kite Flight
by Francesca Gabbiani at the Hammer Museum's Afghan Carpet
Project exhibition.
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"We
have always been interested in finding new and better ways to make
things while respecting the traditions of the craft - which is what
prompted this collaboration with AfghanMade," Farr notes. AfghanMade CEO
Lisa Sanchez enlisted Farr's London-based business partner Matthew
Bourne, and Farr in turn reached out to a colleague with ties to the
Hammer. "We are now starting to see a new emerging group of
entrepreneurs who have a drive for success. With connection to
international businesses, the carpet industry in Afghanistan is adapting
to modern trends," Sanchez told RugNews.com. In an interesting aside, at
Domotex in January, Afghan carpet makers noted a pickup in business over
the prior year, closing deals worth $3.6 million, according to U.S.
government agency U.S. AID.
Blue Burqa by Jennifer Guidi on display at the Hammer Museum.
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The culmination of a more
than a year-long effort by the artists, the Afghan Carpet Project began
with their trip to Afghanistan in March 2014 to visit weavers in Kabul
and Bamiyan. Following the visit, each artist came up with an original
design for her carpet - some reflecting upon the experience and others
derived out of the artists' respective practices.
Afghan Spectrum by Meg Cranston at the Hammer Museum.
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"We
hosted the artists in Afghanistan," says Suzana Rizzo, vice president of
sales and business development at Chicago-area Arzu Studio Hope, a
not-for-profit organization that sells Afghan-made rugs. "The show helps
what we are doing in Afghanistan. We have successfully operated there
for 10 years. Obviously there are a lot of challenges to doing business
in Afghanistan - we don't have a port, so shipping is more difficult,
and the cost is more expensive. But people want to support these women
and families."
AfghanMade, which has helped create the infrastructure needed for
international rug makers to do business in the country, has sponsored
projects with hand-made rug studios in the past including an event at
the 2014 edition of furnishings fair Salone International in Milan.
Christopher Farr, Oritop, James Opie Collection, Matt Camron Rugs &
Tapestries and Eliko Rugs participated in that event.
The
L.A.-based artists visit a weaving studio in Bamiyon,
Afghanistan.
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AfghanMade, a non-profit organization which grew out of a U.S.
Department of Defense program, is now an independent non-profit
organization. "The DOD established an organization called the Task Force
for Stability Operations which was meant to stimulate the economy
through the private sector," Sanchez said, noting that the Task Force
had a carpet initiative that assisted with infrastructure building,
training, and towards the end, international connections in which
AfghanMade was established. "When the Task Force shut down its
operations in December, 2014 AfghanMade carried on as a non-profit."
Sanchez explained.
"We work
with Afghan carpet manufacturers and connect them with international
clients while providing quality control. The climate is not stable
enough for carpet makers to do business on their own, which is why
AfghanMade is a great organization to connect with. We are in
Afghanistan every month to assist both Afghans and their international
clients," she said.
Carpet
store in Kabul at the base of the historic Gardens of Babur.
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06.24.15
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